Exhibitions Archives - Page 3 of 3 - Cheekwood | Page 3
x icon Close
test

3 Ways to Enjoy “Oh, The Places You’ll Play”

3 Ways to Enjoy “Oh, The Places You’ll Play”

Storybook HousesStep into the story this summer at Cheekwood’s Storybook Houses! The young and young at heart will all enjoy these five large-scale outdoor playhouses inspired by beloved illustrators and brought to life through a collaborative effort of talented local architecture and building firms.

Inspired by the illustrations of Dr. Seuss, this playhouse features three whimsically connected, multicolored houses complete with a slide and music-makers. Sam Wible AIA, Hastings Project Lead, explained that the playhouse was designed to embrace a child’s sense of exploration through play and movement. The playhouses create a miniature, child-sized Seussian world dominated by color, music, and exploration.”

1) Colors, colors everywhere!

Storybook HousesIn true Dr. Seuss fashion, these vibrant houses immediately grab the eye. With a saturated bright blue, pale green, and Cindy Lou pink, each house brings a different-sized world of wonder to the children inside with new instruments and color. Constructed out of an innovative new material called Cross Laminated Timber, even the wood grain is swirly and whimsical. Scramble up the rainbow rock-climbing wall to see the happy yellow painted sides of the houses and embrace the colorful wonderland

2) The sounds of music!

Located next to the Herb Garden, amidst the bubbling noise of the water fountain, come hear the shimmering twinkle of bells and laughter! In every window hangs rows of multicolored bells or stringed wind chimes while the doorways are lined with hand-squeezable horns. Ring a bell, call down to your playmate through a speaker phone, or tap to your heart’s content on the xylophone!

3) Last but not least, PLAY!

Storybook Houses

The elaborate structure encourages an inventive, creative mind to explore. Built along a radius, the multilayered houses mirror a circular pattern, designed by Hastings to promote a child’s continuous movement and energy. On the bottom level of the houses, play with the music-makers and gaze in awe at the colorful world around you. Climb the rope ladder or rock wall to get to the top level where there are even more instruments, climbing nets, and wonky windows to see the gorgeous gardens surrounding you.

Some other whimsical playhouses include “Hill Top Garden” inspired by Beatrix Potter, “Charlotte’s Barn” inspired by Garth Williams, “We Are Wild” inspired by Maurice Sendak, and “TRAINS!” inspired by Loren Long. Storybook Houses opened on May 1st and will be on view throughout our gardens until September 1st. From June 22 through September 1, visitors may also enjoy Childhood Classics: 100 Years of Book Illustrations in the Museum Galleries.

Summertime at Cheekwood, Storybook Houses, and Childhood Classics: 100 Years of Children’s Book Illustrations are presented by Vanderbilt Health. The “TRAINS!” exhibit and new depot feature are made possible by Jim Crossman. Additional support for Storybook Houses has been provided by Sara and Richard Bovender, Karyn McLaughlin Frist, Kailey and JR Hand, Sharalena and Dick Miller, and an anonymous donor.

Sponsored By    

Exhibition Partners  
  

  

  

  

  

  

Special thanks to Hastings

  • Sam Wible AIA
  • Leigh Fitts AIA, LEED AP
  • Erich Ritzhaupt AIA
  • Laura Hollier AIA, LEED Green Associate
  • Katie Laughinghouse
  • Emilee Wilson
  • Andy Cho
  • Carter Group, General Contractor
  • Graham Montgomery of Montgomery Structures, CLT Structural Advisor
  • CLT provided by Calum Dodson of International Beams
  • Paint donated by Sherwin-Williams
  • Hardware donated by Will Leveret of Log and Timber Connections
test

Press Release: Chihuly at Cheekwood

Chihuly at Cheekwood Returns

Publish Date: 1/31/20

Chihuly at Cheekwood: July 18, 2020 – January 10, 2021

Following its unprecedented blockbuster success a decade ago, Cheekwood is thrilled to announce Chihuly at Cheekwood coming in the spring of 2020, coinciding with the reopening of its acclaimed Carell Woodland Sculpture Trail. The exhibition will feature multi-media artist Dale Chihuly’s monumental sculptures presented throughout the historic estate, both in its gardens and galleries.

Opening April 25, 2020, Chihuly at Cheekwood will feature artwork in both indoor and outdoor settings, including two new works which are being designed specifically for the exhibition.

2020 will mark the 10th anniversary since Chihuly’s last exhibition at Cheekwood and will also commemorate the 60th anniversary of Cheekwood as a public institution.

The exhibition opening will serve as the grand reopening of Cheekwood’s newly renovated Carell Woodland Sculpture Trail, its nearly mile-long trail featuring 10 monumental sculptures. Having broken ground earlier this year, the enhancement project will feature a new trailhead entrance, a barrier-free path, evening lighting, horticultural areas, and conservation of existing sculptures.

Chihuly

Two of Chihuly’s works will be installed on the Carell Woodland Sculpture Trail for visitors to enjoy during the exhibition. Another will be installed in the Great Hall of Cheekwood’s newly renovated Frist Learning Center.

“We are delighted to bring Dale Chihuly’s extraordinary work back to Cheekwood, where his vibrant installations will be in dialogue with the estate’s incomparably beautiful vistas,” said Jane MacLeod, President and CEO of Cheekwood. “For many Nashvillians, Chihuly’s 2010 exhibition marked their first visit to Cheekwood, and a decade later, we look forward to welcoming an ever-growing community to again experience the magnificence of Chihuly at Cheekwood.”

Nearly a decade ago, Chihuly at Cheekwood marked a watershed moment for the estate and garden. The exhibition propelled the institution to an unparalleled level of success, when Cheekwood’s annual attendance doubled from prior years, reaching an unprecedented 360,000 visitors.

“I would like to congratulate and thank Cheekwood for bringing back Chihuly,” said Butch Spyridon, President and CEO, Nashville Convention & Visitors Corp. “The first Chihuly exhibition nearly 10 years ago was an overwhelming success for both Cheekwood and Nashville, and with the rise and prominence of the cultural arts scene in our city this is the perfect time for a return.”

Chihuly’s work has been exhibited at renowned locations across the U.S. and the world, including the upcoming Chihuly: Reflections on nature at the Royal Botanic Gardens, Kew in London, Chihuly in the Light of Jerusalem in Israel, and Chihuly Over Venice in Italy.

Cheekwood will feature special Chihuly Nights admission Thursdays – Sundays, along with regular daytime hours Tuesdays – Sundays. Cheekwood is closed to the public on Mondays.

Daytime admission to Chihuly at Cheekwood will be included in the general admission ticket price. Admission to see Chihuly Nights will require a separate ticket. More information about tickets and special programs will be announced later.

Chihuly at Cheekwood is funded in part by 

test

Reduce, Reuse, Recycle

Posted on

Here are a few ways Cheekwood visitors can help to make a difference within the community. 

  • – Follow the three R’s of sustainability: Reduce, Reuse, Recycle
  • – Identify recycling centers in your area
  • – Be aware of any rules or regulations specific to your area
  • – Familiarize yourself with the types of paper, plastic and metal that your area recycles
  • – Do not purchase plastic water bottles, instead have a reusable bottle
  • – Bring reusable bags to do your groceries
  • – Eliminate the use of straws
  • – When recycling, keep objects intact, i.e. don’t crush cans or shred papers as this is not helpful and may make them unrecyclable
  • – Spread the word on the importance of recycling to those around you

Photos by David Almeida PhotographyThrough the summer of 2018, Cheekwood is proud to present the work of Italian artist collective, Cracking Art, in a site-wide exhibition that occupies both the museum and gardens. Based in Milan, Italy, Cracking Art began in 1993 with the goal of radically changing the history of art through a strong social and environmental commitment. In conjunction with a revolutionary use of plastic materials, the art  investigates the close relationship between natural and artificial reality.

The colorful invasion is designed to inspire a community-wide conversation about the importance and environmental impact of recycling, while leaving a potent artistic statement. Plastic recycling means subtracting it from toxic destruction which devastates nature; plastic artworks mean communicating through a different and unconventional language while paying strong attention to the planet. The term “invasion” is used from the characteristic of plastic products which have the effect of occupying spaces. Think of shopping bags or micro plastics that create undersea continents as plastic invades the environment.

So what can you do to implement the important environmental message of Cracking Art into your own life?

Presented By  

test

Visions from Above: The Enduring Legacy of William Edmondson

About Mark Schlicher Mark Schlicher is a Nashville-based documentary filmmaker, whose work has been shown nationally on PBS, HBO, Lifetime, TBN, and Smithsonian Channel. His upcoming feature documentary, “Chipping Away: The Life and Legacy of Sculptor William Edmondson”, is the product of over five years of original archival and primary-source research, and expert interviews. The film is supported in part by a grant from Humanities Tennessee. Mark is currently soliciting donations to finance completion of the film. Selected footage from “Chipping Away” is featured in the main exhibition gallery, and a fifteen minute work-in-progress excerpt from “Chipping Away” will be shown during the panel discussion on October 22. “Chipping Away” is slated for a Spring, 2018 release.

Mark’s other film credits include producing and directing a biography of George Washington Carver. He provided cinematography for HBO’s “Mavis!” documentary, and the national PBS’s documentary “Nashville 2.0: The Rise of Americana”. Mark also serves as an adjunct professor of Cinematography at Watkins College of Art, and is a practicing figurative sculptor, having studied under Alan LeQuire and others. Mark earned his degree in education from the University of Wisconsin-Eau Claire. He resides in Nashville with his wife and “Chipping Away” co-producer, the well-known stage director, actor, and ceramic artist Jackie Welch Schlicher.

Visit www.ChippingAwayMovie.com to learn more or to support the film.A note from Mark Schlicher:“William Edmondson’s work is loved by many, but it still surprises me how little he is known outside of collectors’ circles. His sculpture appears deceptively simple. In his lifetime it was often described as “childlike”, “primitive”, and even “crude”. The story of his life and his “discovery” by the art world elite reads like a Cinderella story…a tale that is pleasant and reassuring, but ultimately limiting. I believe that we risk misunderstanding and undervaluing William Edmondson.

In creating my documentary film, I’ll peel back the onion to reveal deeper truths about William’s life, his work, and the artistic legacy he has left for us. As I have researched, I’ve discovered a richer story than I imagined. Edmondson’s work deserves to be admired and celebrated not merely for its “simplicity”, but for its subtlety, its deep themes and symbols, and the impressive technical skill and aesthetic vocabulary he developed. “Chipping Away: The Life and Legacy of Sculptor William Edmondson” will aim to be both an accessible and engrossing biography of a great artist arising in an unlikely time and place, and an appreciation and celebration of his artistic achievements that continue to inspire artists eight decades later.

I’m excited to join in a public conversation with such eminent artists and historians as we examine William Edmondson’s work, life, and legacy.”Schlicher, a Nashville-based filmmaker, has spent the last five years researching Edmondson’s life, work and legacy, and has poured his findings into a very special documentary, Chipping Away, the Life and Legacy of Sculptor William Edmondson.

An excerpt from Schlicher’s documentary will be viewed during the panel discussion, with edited footage playing on loop during the exhibition, on view through November 12.As an institution with one of the largest collections of Edmondson sculptures, we are proud to have teamed up with local film producer and Edmondson historian, Mark Schlicher, to co-curate the exhibition and host a special panel conversation on Sunday, October 22. Schlicher will serve as moderator during the panel, featuring Fisk University history professor Dr. Reavis Mitchell, artist and historian Thaxton Waters, and curator and art teacher Michael McBride.

Panel conversation:
Sunday, October 22
1:00 pm
Massey Auditorium
Free with admission or membership

 On the 80th anniversary of William Edmondson’s solo exhibition at the Museum of Modern Art (MOMA), Cheekwood celebrates the incredible work, life and legacy of one of Nashville’s most beloved and respected artists in its latest exhibition, Visions from Above: The Life and Work of William Edmondson – featuring over 20 Edmondson sculptures from our collection.

Born to two former slaves in Davidson County in the late 1800s, William Edmondson was the first African-American artist to achieve a solo exhibition in the MOMA. After receiving little to no formal education, Edmondson said he began sculpting after receiving a vision from God. His work began with tombstones and led to carving figures such as animals, local citizens and influential members of the African-American community.

test

26 Years of Scholastic Art Excellence

Special thanks to The Tennessee Credit Union, who has partnered with us to present The Scholastic Art Competition at Cheekwood for twenty-six years.  Education programs at Cheekwood are funded in part by HCA, Metro Nashville Arts Commission and Tennessee Arts Commission.

For the 26th consecutive year, Cheekwood is proud to host the regional competition and exhibition for Middle Tennessee Scholastic Art Awards, which celebrates art achievements by students in grades 7-12.

This year, 49 Middle Tennessee art students took home Gold Key awards, 99 Silver Key awards and 203 Honorable Mentions. Five students, Talia Barton, of University School of Nashville; Olivia Defazi, a home school student; Grace Hall of Hendersonville High; Jenna Lowe of Brentwood High School and Richard White of Montgomery Bell Academy have each received an American Vision Award nomination.

One of the five will be chosen as a national finalist in the American Vision Award competition to be held in New York. Regional winners are eligible for scholarships and cash prizes, are part of the exhibition at Cheekwood, and have their work sent to New York City for national judging.

This year’s awards ceremony and reception will be held Saturday, Feb. 4 at 1 p.m. in Massey Auditorium.  Artworks by Middle Tennessee’s Gold Key recipients will be on display in Cheekwood’s Frist Learning Center Courtyard Gallery Feb. 4 through March 5 before going on to be judged by the national panel in New York.

Special thanks to The Tennessean Credit Union, fellow Scholastic Art Awards sponsor of 26 years.For the 26th consecutive year, Cheekwood is proud to host the regional competition and exhibition for Middle Tennessee Scholastic Art Awards, which celebrates art achievements by students in grades 7-12.

This year, 49 Middle Tennessee art students took home Gold Key awards, 99 Silver Key awards and 203 Honorable Mentions. Five students, Talia Barton, of University School of Nashville; Olivia Defazio, a home school student; Grace Hall of Hendersonville High; Jenna Lowe of Brentwood High School and Richard White of Montgomery Bell Academy have each received an American Vision Award nomination.

One of the five will be chosen as a national finalist in the American Vision Award competition to be held in New York. Regional gold key recipients are eligible for scholarships and cash prizes, are part of the exhibition at Cheekwood, and have their work sent to New York City for national judging.

This year’s awards ceremony and reception will be held Saturday, Feb. 4 at 1 p.m. in Massey Auditorium.  Artworks by Middle Tennessee’s Gold Key recipients will be on display in Cheekwood’s Frist Learning Center Courtyard Gallery Feb. 4 through March 5 before going on to be judged by the national panel in New York.

Privacy Policy Sitemap Web design by Speak
Back to top