Arts or Education Archives - Page 17 of 17 - Cheekwood | Page 17
x icon Close
test

Scarecrows at Cheekwood

Posted on

THANK YOU TO THIS YEAR’S SPONSOR

Nissan Silly and serious, big and small, frightening and friendly-scarecrows created by our Nashville community have invaded our gardens once again this fall for our Scarecrow exhibit. For over ten years we have invited the community to get in on the fun of Cheekwood Harvestby assembling a group to design their own custom scarecrows! Dozens of fabulous, weird, funny, and traditional scarecrows will lurk along the paths in our Turner Seasons Garden until October 21.

Groups selected to participate in our scarecrow exhibit are encouraged to be as creative and out-of-the-box as they want! We had 33 diverse groups participate in this year’s exhibit, ranging from preschools, libraries, and even retirement homes. Several of these groups have participated in years past, and have come together again this year to join in on the fun! Each scarecrow is unique to the group that made it, such as the Nashville Repertory Theatre’s “You’ll Shoot Your Eye Out” Ralphie scarecrow created in honor of their production of “A Christmas Story”. Other highlights include the Bellevue Branch Library’s “Bob Ross scarecrow”, the Nashville Area Chamber of Commerce’s tribute to hot chicken with “Spicy Scarechicken”, Cheekwood’s Finance Team’s “Dr. E. McSquared”, Nashville Alumnae Chapter of Delta Sigma Theta Sorority, Inc.’s “Diva Delta of Nashville”, and the delightfully spook “Frankenstein’s Monster” by American Patriot Home Maintenance.

This year we are introducing our Scarecrow Selfie Challenge that will continue throughout Cheekwood Harvest. Visitors are encouraged to take a selfie with one of our unique scarecrows, share it on Instagram using #ScarecrowSelfie, and tag us using @Cheekwood. A winner will be selected each Monday during Cheekwood Harvest, and will receive tickets to this year’s Holiday LIGHTS event. Get in on the action by accepting our 2018 Scarecrow Selfie Challenge!

test

The 4th Annual Japanese Moon Viewing

THANK YOU TO THIS YEAR’S PRESENTING SPONSOR

NissanThe Japanese Moon Viewing event began in 2015 after Cheekwood hosted a meeting with the Japan-America Society of Tennessee. Jane MacLeod, President and CEO of Cheekwood, has maintained a relationship with the Consul-General of Japan since 2015. Cheekwood has worked with Consul-General Kinefuchi over the last three years to make the Japanese Moon Viewing a success. This year Consul-General Kobayashi helped out with his first moon viewing after arriving this past May.

Earlier this month, Cheekwood hosted an intimate gathering to welcome Consul-General Kobayashi and his wife to Nashville. The Consul-General along with several prominent guests enjoyed lunch on the Loggia during the event. After the luncheon, guests had the opportunity to tour the newly named Blevins Japanese Garden, which will debut in 2020 following exciting renovations and enhancements made possible by the Blevins family.

Next year, Cheekwood looks forward to hosting the fifth annual Japanese Moon Viewing celebration, and continuing the tradition of this special event. Stay tuned for more information!Published: 9/25/2018

On September 23, Cheekwood hosted the fourth annual Japanese Moon Viewing event. This moonlit evening typically takes place in Shōmu-en, Cheekwood’s Japanese Garden, which has been named “one of the most original Japanese Gardens in North America” by Dr. Kendall H. Brown, author of Quiet Beauty, The Japanese Gardens of North America. However, due to rain, this year’s event was held in our Massey Auditorium, where guests gathered for tea ceremonies and activities.

This one-of-a-kind evening gave guests the opportunity to experience Japanese culture and traditions while celebrating o-tsukimi, the autumn moon viewing tradition. Despite the rain, guests celebrated the harvest moon with open-house style tea ceremony, and authentic kamishibai-style storytelling of Japanese folk tales about the moon, which included hand-drawn visuals along with narration. Children had the opportunity to participate in several activities including origami, calligraphy, haiku flags, yoyo fishing, and fan making. Guests even had the opportunity to sample some traditional Japanese treats served by Sonobana.

test

Reduce, Reuse, Recycle

Posted on

Here are a few ways Cheekwood visitors can help to make a difference within the community. 

  • – Follow the three R’s of sustainability: Reduce, Reuse, Recycle
  • – Identify recycling centers in your area
  • – Be aware of any rules or regulations specific to your area
  • – Familiarize yourself with the types of paper, plastic and metal that your area recycles
  • – Do not purchase plastic water bottles, instead have a reusable bottle
  • – Bring reusable bags to do your groceries
  • – Eliminate the use of straws
  • – When recycling, keep objects intact, i.e. don’t crush cans or shred papers as this is not helpful and may make them unrecyclable
  • – Spread the word on the importance of recycling to those around you

Photos by David Almeida PhotographyThrough the summer of 2018, Cheekwood is proud to present the work of Italian artist collective, Cracking Art, in a site-wide exhibition that occupies both the museum and gardens. Based in Milan, Italy, Cracking Art began in 1993 with the goal of radically changing the history of art through a strong social and environmental commitment. In conjunction with a revolutionary use of plastic materials, the art  investigates the close relationship between natural and artificial reality.

The colorful invasion is designed to inspire a community-wide conversation about the importance and environmental impact of recycling, while leaving a potent artistic statement. Plastic recycling means subtracting it from toxic destruction which devastates nature; plastic artworks mean communicating through a different and unconventional language while paying strong attention to the planet. The term “invasion” is used from the characteristic of plastic products which have the effect of occupying spaces. Think of shopping bags or micro plastics that create undersea continents as plastic invades the environment.

So what can you do to implement the important environmental message of Cracking Art into your own life?

Presented By  

test

Visions from Above: The Enduring Legacy of William Edmondson

About Mark Schlicher Mark Schlicher is a Nashville-based documentary filmmaker, whose work has been shown nationally on PBS, HBO, Lifetime, TBN, and Smithsonian Channel. His upcoming feature documentary, “Chipping Away: The Life and Legacy of Sculptor William Edmondson”, is the product of over five years of original archival and primary-source research, and expert interviews. The film is supported in part by a grant from Humanities Tennessee. Mark is currently soliciting donations to finance completion of the film. Selected footage from “Chipping Away” is featured in the main exhibition gallery, and a fifteen minute work-in-progress excerpt from “Chipping Away” will be shown during the panel discussion on October 22. “Chipping Away” is slated for a Spring, 2018 release.

Mark’s other film credits include producing and directing a biography of George Washington Carver. He provided cinematography for HBO’s “Mavis!” documentary, and the national PBS’s documentary “Nashville 2.0: The Rise of Americana”. Mark also serves as an adjunct professor of Cinematography at Watkins College of Art, and is a practicing figurative sculptor, having studied under Alan LeQuire and others. Mark earned his degree in education from the University of Wisconsin-Eau Claire. He resides in Nashville with his wife and “Chipping Away” co-producer, the well-known stage director, actor, and ceramic artist Jackie Welch Schlicher.

Visit www.ChippingAwayMovie.com to learn more or to support the film.A note from Mark Schlicher:“William Edmondson’s work is loved by many, but it still surprises me how little he is known outside of collectors’ circles. His sculpture appears deceptively simple. In his lifetime it was often described as “childlike”, “primitive”, and even “crude”. The story of his life and his “discovery” by the art world elite reads like a Cinderella story…a tale that is pleasant and reassuring, but ultimately limiting. I believe that we risk misunderstanding and undervaluing William Edmondson.

In creating my documentary film, I’ll peel back the onion to reveal deeper truths about William’s life, his work, and the artistic legacy he has left for us. As I have researched, I’ve discovered a richer story than I imagined. Edmondson’s work deserves to be admired and celebrated not merely for its “simplicity”, but for its subtlety, its deep themes and symbols, and the impressive technical skill and aesthetic vocabulary he developed. “Chipping Away: The Life and Legacy of Sculptor William Edmondson” will aim to be both an accessible and engrossing biography of a great artist arising in an unlikely time and place, and an appreciation and celebration of his artistic achievements that continue to inspire artists eight decades later.

I’m excited to join in a public conversation with such eminent artists and historians as we examine William Edmondson’s work, life, and legacy.”Schlicher, a Nashville-based filmmaker, has spent the last five years researching Edmondson’s life, work and legacy, and has poured his findings into a very special documentary, Chipping Away, the Life and Legacy of Sculptor William Edmondson.

An excerpt from Schlicher’s documentary will be viewed during the panel discussion, with edited footage playing on loop during the exhibition, on view through November 12.As an institution with one of the largest collections of Edmondson sculptures, we are proud to have teamed up with local film producer and Edmondson historian, Mark Schlicher, to co-curate the exhibition and host a special panel conversation on Sunday, October 22. Schlicher will serve as moderator during the panel, featuring Fisk University history professor Dr. Reavis Mitchell, artist and historian Thaxton Waters, and curator and art teacher Michael McBride.

Panel conversation:
Sunday, October 22
1:00 pm
Massey Auditorium
Free with admission or membership

 On the 80th anniversary of William Edmondson’s solo exhibition at the Museum of Modern Art (MOMA), Cheekwood celebrates the incredible work, life and legacy of one of Nashville’s most beloved and respected artists in its latest exhibition, Visions from Above: The Life and Work of William Edmondson – featuring over 20 Edmondson sculptures from our collection.

Born to two former slaves in Davidson County in the late 1800s, William Edmondson was the first African-American artist to achieve a solo exhibition in the MOMA. After receiving little to no formal education, Edmondson said he began sculpting after receiving a vision from God. His work began with tombstones and led to carving figures such as animals, local citizens and influential members of the African-American community.

test

Huldah Warfield Cheek’s Presentation at Court

Posted on

While in London it seems that Huldah was required to attend etiquette classes as an American newspaper reported the American ambassador held special training sessions for the newly arrived American ladies, teaching them court courtesy and all the other rigid rules for etiquette of court procedure. The court courtesy in itself is a highly technical matter. The secret of the thing is to sink to the floor, without bending the back, which, when accompanied by a train, veil, bouquet, fan, or bag, and a little natural nervousness, may well require rehearsal. 

The presentation made news across the United States. Twenty-two young American women were also presented at the same time, ten on June 25

th

 and twelve on June 26

th

. Huldah was the only woman from Nashville presented, others hailed from New York, Westchester, PA, Washington, DC, Baltimore, MD, Boston, Buffalo, Wichita, KS, and Atlanta, GA.

 

The trip was not all hard work and court customs. According to a Nashville newspaper clipping, Huldah and Mabel stayed at the Grosvenor House hotel, one of the most exclusive in London. Ironically, the Grosvenor House hotel stood on the site of the former Grosvenor House, home to the Duke of Westminster, whose elaborate, mahogany doors were purchased by the Cheeks for use at Cheekwood. They all attended numerous balls and dances “given in connection with the court festivities.” 

Huldah and Mabel went on to attend the 1935 Ascot Races, took a cruise on the Thames River, and later set off for Sweden, Denmark, Finland and Germany. After a whirlwind summer, Huldah returned to Pennsylvania where she continued her studies at Bryn Mawr College as a sophomore.

—


Leslie Jones 

| 

VP, Museum Affairs and Curator of Decorative Arts


On April 16, 1935, a letter was written to Huldah Cheek at Cheekwood from The Third Secretary of Embassy for the United States in London, Hiram Bingham, Jr. In the letter, Bingham Jr., makes mention that “Ambassador Bingham will be pleased to include your name on his list for Court presentation and will be happy to present you at the Third Court to be held at Buckingham Palace on June 25

th

 [1935].” It would be Ambassador Bingham’s wife, Mrs. Bingham, who would present Huldah and the other American socialites to the British monarchy. A few months after receiving the letter, Huldah and Mabel set sail for England on the S.S. Normandie for what would be a truly grand trip.

 

In preparation to be presented to Her Majesty Queen Mary of England at the Court of St. James, Huldah also received “a circular regarding Court dress which has been prepared by the Lord Chamberlain’s Office,” which would help in knowing the appropriate attire for the occasion. The palace’s Lord Chamberlain required all ladies wear a full evening dress, three white feather plumes in the hair, a train suspended from the shoulders and extending not more than sixteen inches from the heels. A veil was required to be attached to the headdress, but it must not be more than forty-eight inches long.

 

Huldah wore a cream, silk gauze gown with a “fern leaf design” in the same color over cream satin, with a satin train accompanied by an ostrich feather fan. According to the 

Tennessean

 newspaper, Huldah and her fellow American debutantes “had to go through only half the ordeal customarily faced by those who are presented in court”: one curtsy instead of two. This was because King George V was absent from the presentation ceremony as he was resting and rehabilitating at Sandringham, the home of the Duke of Sandringham.
test

Mansion Restoration Update

Posted on

The restoration of Cheekwood’s historic rooms and gardens and the endowment for their care and maintenance have been made possible with generous support from the Andrea Waitt Carlton Family Foundation, the Bovender Family, Mr. and Mrs. William F. Andrews Jr., and the Founding Members of The 1929 Club.Although it goes without saying, we look forward to sharing these spaces with you on June 17, as the historic restoration debuts with Dressing Downton: Changing Fashion for Changing Times. Timed ticketed entry is required to tour the Dressing Downton exhibition, so be sure to reserve your tour time here.Experience the newly restored Cheekwood Mansion all year long by becoming a Cheekwood member. Join today!

For more information about the history of the Cheekwood Mansion, click here.To better your experience, we are installing a new Visitor Services area on the Ground Floor that will allow our team to help you make the most of your time in the mansion, as you journey through the historic rooms and gallery spaces. Further, and most importantly, we have researched and developed interpretive stories that, combined with the furnished spaces, will transport you to another time and assist in creating an atmosphere of life during the 1930s at Cheekwood. These stories will be conveyed through interpretive signage displayed in key areas throughout the mansion, as well as by docents and tour guides. There are countless stories to tell of life at Cheekwood, some of which are only partially known. As our research continues to develop, we look forward to sharing new and engaging narratives with you as you visit time and time again.We are in the home stretch of the major restoration that has been taking place at Cheekwood since January. Soon we will be opening our doors to the public and welcoming you to the new and improved Cheekwood Mansion. With less than a month to go, the majority of the historic restoration and furnishing work is complete – paintings are on the walls, furniture is in place and the dining room table is set. There are just a few final surfaces to be polished and wrinkles to be ironed before the grand reopening on June 17.

test

Drive to Inspire

Posted on

CHEEKWOOD THANKS ITS MAJOR SUPPORTERS

If you’re a Cheekwood visitor or member, chances are you love the arts as much as we do!  But did you know that by purchasing a Tennessee Specialty Arts License Plate, you can help “drive” arts funding for our state and for Cheekwood?

When it’s time to renew your tags, choose one of Tennessee’s four Specialty Arts License Plates, or give a gift through the
‘Gift-A-Tag’ Voucher Program

.Your arts plate provides critical funding to the Tennessee Arts Commission and organizations like Cheekwood who are funded in part by the Tennessee Arts Commission and Metro Nashville Arts Commission.  Your important support helps us share the magic of art and the joy of creativity with Tennessee children and families all year long.

learn how you can ‘Back The Arts’ today!

Privacy Policy Sitemap Web design by Speak
Back to top