Permanent Collection Highlight: Echo Lying Down
Permanent Collection Highlight: Echo Lying Down
Publish Date: 2/15/2021
Echo Lying Down, 1935
Aluminum
Anna Hyatt Huntington (American, 1876-1973)
This spring, the Stallworth and Thompson Galleries will be installed to display Cheekwood’s collection of American paintings, sculpture and decorative arts from the Centennial through the Second World War. Cheekwood’s permanent collection gallery will display many favorite works from the museum collection that best illuminate the creative artistic talents that were prominent during Cheekwood’s designated collecting era of American Art from 1875-1940. The permanent collection gallery will contain paintings, sculpture and decorative arts will open February 20, 2021.
A highlight of the new permanent collection gallery installation is Anna Hyatt Huntington’s (American, 1876-1973) Echo Lying Down, 1935. Last seen on view at Cheekwood in 1964, the aluminum sculpture of Huntington’s elegant greyhound named Echo is perched on a piece of green marble. Huntington among some of New York City’s most prominent sculptors. At a time when very few women were successful artists, she had a thriving career. Hyatt Huntington exhibited often, traveled widely, received critical acclaim at home and abroad, and won awards and commissions. Huntington was born in Cambridge Massachusetts to the daughter of a professor of paleontology and zoology at Harvard University. This resulted in her early interest in animals and animal anatomy. She married Archer Milton Huntington, son of railroad magnate and industrialist Collis P. Huntington. Together, the Huntingtons founded Brookgreen Gardens in South Carolina.
Huntington is best known for her large-scale sculptures, but also created smaller pieces, often of domestic animals. These were given a personal, and often whimsical, quality. Huntington was known for her portrayal of the everyday gestures of animals, as seen in Echo Lying Down. In the sculpture, Echo looks as if it has just heard its name called and looking back at its owner, Huntington and her husband. Huntington came out of the generation of female sculptors at the end of the nineteenth century and we are thrilled to display the work again. While Huldah’s dogs Hiro and Aristotle are memorialized in the Bracken Foundation Children’s Garden, Echo will take over the role of guard dog, from inside the museum.


All entries are considered for several award categories including Gold Key, Silver Key, Honorable Mention, and American Visions Nominees. Gold Key represents the top 5% of entries, and there are only five American Vision Nominees per region and these nominees then have their works entered into a competition to be judged by a panel of jurors in New York City, where one artist is selected to receive the American Vision Medal.
“[sic] sweet cookie refers to my great grandmother nicknamed ‘Cookie’ who passed away recently. She was sweet just like a cookie, so the name has some symbolism to it,” said Addi Gerlach, Grade 12, American Vision Nominee. “[For this piece] I wanted to [draw] an old woman because of the beautiful textures and lovely aging they have. So who better to draw than my own great grandmother herself?”
Barriers, a work by Chloe Salvatore, a senior at Summit High School and American Vision Nominee, features a young woman with bright pink hair. Colorful and vibrant, the subject is quite literally using her hands as a barrier between herself and the audience. “Barriers represents how we push other people away and only let them see certain parts of us, and how we are afraid to try new things because of the fear of failure,” said Salvatore.
Nossi College of Art would encourage pursuit along this path. Guests will feel a sense of awe as they walk through the galleries in the Historic Mansion & Museum, turning a corner to see K9 Police drawn with such detail by 8th grader Amelia Wang that it is hard to believe it is not a photograph, and then stumbling upon The Blind Queen by 10th grader Saida Bolduc, a work that has so much to look at that the viewer is left pondering the symbolism of each element, each stroke, long after they have left the exhibition. In a truly unprecedented year, one thing has not changed – the talent that is on display only gets better every year, and this year is no exception.
Over the 30 years that Cheekwood has hosted the Middle Tennessee Scholastic Art Awards and The Tennessee Credit Union (TTCU) has graciously presented the exhibition, it has become a tradition for TTCU staff to select and purchase one Gold Key piece. Each piece is framed with a plaque noting the winner’s name and year of the exhibition. Nearly 30 pieces now adorn the TTCU offices in Nashville. You can see images of some of the works by clicking this















