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Huldah Warfield Cheek’s Presentation at Court

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While in London it seems that Huldah was required to attend etiquette classes as an American newspaper reported the American ambassador held special training sessions for the newly arrived American ladies, teaching them court courtesy and all the other rigid rules for etiquette of court procedure. The court courtesy in itself is a highly technical matter. The secret of the thing is to sink to the floor, without bending the back, which, when accompanied by a train, veil, bouquet, fan, or bag, and a little natural nervousness, may well require rehearsal. 

The presentation made news across the United States. Twenty-two young American women were also presented at the same time, ten on June 25

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 and twelve on June 26

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. Huldah was the only woman from Nashville presented, others hailed from New York, Westchester, PA, Washington, DC, Baltimore, MD, Boston, Buffalo, Wichita, KS, and Atlanta, GA.

 

The trip was not all hard work and court customs. According to a Nashville newspaper clipping, Huldah and Mabel stayed at the Grosvenor House hotel, one of the most exclusive in London. Ironically, the Grosvenor House hotel stood on the site of the former Grosvenor House, home to the Duke of Westminster, whose elaborate, mahogany doors were purchased by the Cheeks for use at Cheekwood. They all attended numerous balls and dances “given in connection with the court festivities.” 

Huldah and Mabel went on to attend the 1935 Ascot Races, took a cruise on the Thames River, and later set off for Sweden, Denmark, Finland and Germany. After a whirlwind summer, Huldah returned to Pennsylvania where she continued her studies at Bryn Mawr College as a sophomore.

—


Leslie Jones 

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VP, Museum Affairs and Curator of Decorative Arts


On April 16, 1935, a letter was written to Huldah Cheek at Cheekwood from The Third Secretary of Embassy for the United States in London, Hiram Bingham, Jr. In the letter, Bingham Jr., makes mention that “Ambassador Bingham will be pleased to include your name on his list for Court presentation and will be happy to present you at the Third Court to be held at Buckingham Palace on June 25

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 [1935].” It would be Ambassador Bingham’s wife, Mrs. Bingham, who would present Huldah and the other American socialites to the British monarchy. A few months after receiving the letter, Huldah and Mabel set sail for England on the S.S. Normandie for what would be a truly grand trip.

 

In preparation to be presented to Her Majesty Queen Mary of England at the Court of St. James, Huldah also received “a circular regarding Court dress which has been prepared by the Lord Chamberlain’s Office,” which would help in knowing the appropriate attire for the occasion. The palace’s Lord Chamberlain required all ladies wear a full evening dress, three white feather plumes in the hair, a train suspended from the shoulders and extending not more than sixteen inches from the heels. A veil was required to be attached to the headdress, but it must not be more than forty-eight inches long.

 

Huldah wore a cream, silk gauze gown with a “fern leaf design” in the same color over cream satin, with a satin train accompanied by an ostrich feather fan. According to the 

Tennessean

 newspaper, Huldah and her fellow American debutantes “had to go through only half the ordeal customarily faced by those who are presented in court”: one curtsy instead of two. This was because King George V was absent from the presentation ceremony as he was resting and rehabilitating at Sandringham, the home of the Duke of Sandringham.
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Mansion Restoration Update

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The restoration of Cheekwood’s historic rooms and gardens and the endowment for their care and maintenance have been made possible with generous support from the Andrea Waitt Carlton Family Foundation, the Bovender Family, Mr. and Mrs. William F. Andrews Jr., and the Founding Members of The 1929 Club.Although it goes without saying, we look forward to sharing these spaces with you on June 17, as the historic restoration debuts with Dressing Downton: Changing Fashion for Changing Times. Timed ticketed entry is required to tour the Dressing Downton exhibition, so be sure to reserve your tour time here.Experience the newly restored Cheekwood Mansion all year long by becoming a Cheekwood member. Join today!

For more information about the history of the Cheekwood Mansion, click here.To better your experience, we are installing a new Visitor Services area on the Ground Floor that will allow our team to help you make the most of your time in the mansion, as you journey through the historic rooms and gallery spaces. Further, and most importantly, we have researched and developed interpretive stories that, combined with the furnished spaces, will transport you to another time and assist in creating an atmosphere of life during the 1930s at Cheekwood. These stories will be conveyed through interpretive signage displayed in key areas throughout the mansion, as well as by docents and tour guides. There are countless stories to tell of life at Cheekwood, some of which are only partially known. As our research continues to develop, we look forward to sharing new and engaging narratives with you as you visit time and time again.We are in the home stretch of the major restoration that has been taking place at Cheekwood since January. Soon we will be opening our doors to the public and welcoming you to the new and improved Cheekwood Mansion. With less than a month to go, the majority of the historic restoration and furnishing work is complete – paintings are on the walls, furniture is in place and the dining room table is set. There are just a few final surfaces to be polished and wrinkles to be ironed before the grand reopening on June 17.

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Summer Annuals at Cheekwood

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Cheekwood garden staff’s top picks for shade:

  • Begonia – BIG™ Red with Bronze Leaf Begonia
  • Begonia – Whopper® Rose with Green Leaf Begonia
  • Caladium x ‘Moonlight’
  • Caladium x ‘Pink Splash’
  • Caladium x ‘Raspberry Moon’
  • Duranta erecta ‘Cuban Gold’ – Cuban gold duranta
  • Impatiens – Bounce™ Pink Flame PPAF ‘Balboufink’
  • Impatiens– SunPatiens® Compact Deep Rose Interspecific Impatiens
  • Solenostemon scutellarioides ‘Campfire’ – campfire coleus
  • Solenostemon scutellarioides ‘Pineapple’ – pineapple coleus

For more information about Cheekwood’s gardens, visit: https://cheekwood.local/explore/gardens/.Cheekwood garden staff’s top picks for full sun:

  • Ageratum houstonianum – High Tide® Blue Ageratum
  • Canna x generalis – Canna Cannova® Bronze Scarlet
  • Celosia argentea plumosa – Dragon’s Breath™ Celosia
  • Colocasia esculenta Royal Hawaiian® ‘Black Coral’ – black coral elephant ear
  • Duranta erecta ‘Cuban Gold’ – Cuban gold duranta
  • Evolvulus – Blue My Mind ™ – dwarf morning glory evolvulus
  • Impatiens – SunPatiens Spreading® Tropical Orange Interspecific Impatiens
  • Impatiens – SunPatiens Spreading® Carmine Red Interspecific Impatiens
  • Lantana – Little Lucky™ Hot Pink Lantana
  • Lantana – Lucky™ Lavender Lantana
  • Pennisetum Graceful Grasses® ‘Fireworks’ – variegated red fountain grass
  • Pentas lanceolata ‘Kaleidoscope Deep Rose’
  • Pentas
    lanceolata Northern Lights® Lavender
  • Salvia leucantha ‘Santa Barbara – Mexican bush sage
  • Solenostemon scutellarioides ‘Wasabi’ – Wasabi coleus
  • Zinnia elegans ‘Crouching Tiger’ – Crouching Tiger zinnia

 Did you know that we grow over 10,000 summer annuals in the Walter M. Morgan Jr. Production Greenhouses here onsite? Cheekwood garden staff selects the summer annuals for the gardens based on bloom times, color, size, light requirements and the pollinators that they may attract. Summer annuals are propagated starting in January in the greenhouses by seed, cutting, plug or division, depending on the best propagation method for the plant. Staff and volunteers begin planting them in the gardens starting in May.

Visitors at Cheekwood love to see these colorful blooms, and also the butterflies, hummingbirds and bees that they attract. Planning some color for your own garden? Here are the Cheekwood garden staff’s top picks for summer annuals.

 

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Cheekwood ushers in new era with The Cheekwood Campaign

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Today, Cheekwood announces lead gifts from The Bracken Foundation, The Ann and Monroe Carell Foundation, and The Frist Foundation for The Cheekwood Campaign, an unprecedented effort that will create a strong long-term foundation for the institution. With over $20M pledged to date, this major fundraising campaign aims to address deferred restoration, build capital reserves and, most importantly, raise endowment for Cheekwood.

Coinciding with this effort, the Campaign will greatly elevate Cheekwood’s offerings with the creation of a future Bracken Foundation Children’s Garden, enhanced Carell Woodland Sculpture Trail, and restoration and enhancements to the Frist Learning Center.

“When Cheekwood opened to the public in 1960, it was an incredible gift to Nashville,” said Jane MacLeod, Cheekwood President and CEO. “But gifted without an endowment, Cheekwood has struggled since its inception to care for and maintain two fully developed and separate entities—a 55-acre botanical garden and 90,000 square feet of buildings comprised of an historic residence and art museum. This important campaign will allow Cheekwood to realize its full potential as one of the finest remaining examples of an American Country Place Era estate in the United States, becoming not only a Nashville destination, but a national one.”

These lead gifts of the Campaign will fund key capital enhancements anticipated to have an immediate financial impact on the institution:

Additionally, three $1 million commitments were made by former Cheekwood Board Chairman Mrs. James C. “Tooty” Bradford, Jr. for the Bradford Robertson Color Garden; an Anonymous donor; and a gift of land by Mr. and Mrs. William H. Freeman.

“Following years of transformative growth with record attendance and membership, this important campaign will enable Cheekwood to build the strong foundation that we have lacked since the beginning,” said Cheekwood Board Chair Jimmy Webb. “It has been over 18 years since Cheekwood’s last major campaign. As a landmark destination in our great city, we must not only preserve this Nashville treasure, but we should enhance it, planning for the next 50 years with the same ambition that came before us.”

When
The Cheekwood Campaign
quietly began in 2015, it was the first major fundraising campaign for Cheekwood in over 18 years. The campaign goal—to raise $30 million by 2018—will allocate $25 million toward endowment, capital reserves, restoration and working capital needs, and at least $5 million toward enhancements including the future Bracken Foundation Children’s Garden, the Carell Woodland Sculpture Trail and Frist Learning Center. Cheekwood’s endowment was at $4.8 million prior to the launch of this campaign.

For those interested in learning more about and getting involved through The Cheekwood Campaign, visit cheekwood.local/campaign or contact us at campaign@cheekwood.local.FRIST LEARNING CENTER: With a $4 million gift from The Frist Foundation, Cheekwood will restore and enhance the Frist Learning Center, its hub of education and public programs, to include a new café that will serve as a long-term satellite food service option adjacent to the future Bracken Foundation Children’s Garden, as well as reimagined meeting and interpretation gallery spaces.CARELL WOODLAND SCULPTURE TRAIL: With a $5 million lead gift from The Ann and Monroe Carell Foundation (Kathryn and David Brown, Edie and David Johnson, and Julie Carell Stadler), enhancements will be made to the mile-long sculpture trail considered a hidden treasure of the estate. Additions to the trail include an ADA accessible path, enhanced horticulture and nighttime lighting in 2020. The design process for the project will be led by Nashville-based Hawkins Partners, Inc. Gary Hawkins will be the principal-in-charge.BRACKEN FOUNDATION CHILDREN’S GARDEN: Cheekwood has received a $5 million lead gift from The Bracken Foundation. The gift, positioned as a challenge to raise an additional $2 million in endowment funds, will bring a permanent family feature to its grounds in spring 2019. Nashville-based architecture firm Hodgson Douglas will lead the project.

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Volunteer at Cheekwood

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Summer is inching closer, and we are in need of volunteers! Cheekwood offers a variety of benefits to its volunteers, including flexible scheduling, free admission, discounts at the Pineapple Room gift shop and restaurant, invites to Cheekwood events and the opportunity to serve the Nashville community.

With the Cheek Mansion reopening this June following its major restoration, we are looking for capable volunteers and docents for the upcoming season. Guiding tours, tending to the gardens and assisting with events are just a few ways in which our volunteers help Cheekwood to operate efficiently. We sincerely value the time that is given to keeping this historic estate in pristine condition.

To learn more about becoming a volunteer or docent,  call 615-353-6966 or email volunteers@cheekwood.local.  Volunteers must be at least 15 years of age, or 12 years if volunteering with an adult.

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Cheekwood Mansion Historic Restoration

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The restoration of Cheekwood’s historic rooms and gardens, and the endowment for their care and maintenance, have been made possible with generous support from The Andrea Waitt Carlton Family Foundation, the Bovender Family, Mr. and Mrs. William F. Andrews, and the Founding Members of The 1929 Club.The next phase of the restoration will include installation of  historical and antique objects into the restored spaces. Stay tuned for more updates throughout the process, and be sure to mark your calendars for June 17 when the mansion officially re-opens to the public.

Learn more about the origin and history of the Cheek mansion.In the Dining Room, we exposed long-forgotten architectural features that have not been visible for many years. The original, decorative plaster molding was held together using horsehair!We are pleased to share that the historic restoration process in the Cheekwood mansion is moving right along. As with any major structural project, there have been some surprises along the way. Each development has offered Cheekwood staff and the project contractors opportunities to learn more about the history of the building, from initial construction to the previous renovations. We do not want to give away all the fun of the big reveal, but here are a few updates of the work being done so far.

Many of the historical, primary resources that informed this restoration effort came in the form of photographs. However, these photographs were taken before color photography was invented. Color choices, in fabrics, rugs, ceramics, and paint, are critical in the attempt to recreate an historical space. To determine the paint colors in each space, Cheekwood consulted expert paint analyst Matthew Mosca. Based on the samples Matthew collected, followed by microscopic analysis, we were able to determine the original Cheek family paint choices. In January, February and March of this year, the 1932 colors were fully restored. 

This image is a cross-section of a paint sample Matthew analyzed; the horizontal lines are layers of paint, with the most recent at the top of the image. From this image, we can tell that one room was painted many times and with many different color choices. Can you guess which room this represents?

 

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Spring Break with the Cheeks

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In Spring 1929, the Cheek family took what can only be described as a “trip of a lifetime.” For an estimated three months, Leslie Sr., Mabel, and Huldah Cheek journeyed across the Atlantic by boat, arriving in Great Britain on a quest to seek and find inspiration for the development of their new home, “Cheekwood.” The family, along with their newly hired architect Bryant Fleming, wasted no time with their site-seeing plans and high-level shopping.

By March 21, signs of Mrs. Cheek’s shopping activity began to show as invoices and receipts were delivered to her room at London’s Mayfair Hotel.[i] Fortunately, the family saved many of these receipts, providing us a glimpse into the art galleries and antique stores Mr. and Mrs. Cheek frequented on the trip. Items purchased ranged from decorative furnishings to historic, architectural elements from well-known, recently demolished estates and homes. Every purchase was used to shape the Cheek’s vision for Cheekwood.

Pasted into the pages of family scrapbooks are postcards and souvenir photographs from Canterbury Cathedral, Rockingham Castle, and Chatsworth House, suggesting that while buying for their own home, perhaps Mabel and Leslie were also finding inspiration in the historic sites they visited. One photo of Chatsworth House shows a clear connection between the Grand Staircase located at the English estate and the hand-wrought iron railing the Cheeks sourced on this very trip for the First Floor staircase.

[i]March 26, 1929 D.S. Mann Furniture & Decorations Receipt to Mrs. Leslie Cheek, addresses payment to Mrs. Cheek’s temporary address at the May Fair Hotel, W.1. (Cheekwood Cheek Family Archives)

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