Exhibitions Archives - Page 8 of 9 - Cheekwood | Page 8
x icon Close
test

The Agrarian Spirit: Cultivating Ruralism and Regionalism in American Art

The Agrarian Spirit: Cultivating Ruralism and Regionalism in American Art

Beginning with the advent of farming during the Neolithic Era, humans have long cultivated an intimate relationship with land through agricultural practice. In the early 20th century, Regionalist art celebrated American agrarianism and its adherents with emotion-laden landscape scenes while advocating for ruralism (country living and values) over urbanism and city living. The style derived its formal characteristics from the work of Thomas Hart Benton, Grant Wood, and John Steuart Curry – the Regionalist Triumvirate. Their works feature among the 20 works on paper in this exhibition, which examines the compositions and contexts of agrarian imagery produced in this country between 1920 and 1950.

Image Right: Grant Wood (American, 1891-1942), Fertility, 1939, Lithograph on paper, Gift of the Estate of John and Margaret Hill, 1994.19.19.

Grant Wood Fertility 640x488 1
test

Carmen Herrera: Estructuras

Five boldly colorful, geometric sculptures by Cuban-born, American artist Carmen Herrera are featured in Cheekwood’s gardens. It’s an opportunity to celebrate this indomitable woman’s lifelong passion for creating art. Her skyrocketing ascent in popularity wasn’t realized until she reached the age of 89 and continued until her passing in 2022 at the age of 106. Her story is an inspiration to everyone confronting the challenges of age and gender.

The sculptures on display at Cheekwood are part of a series collectively entitled Estructuras (Structures.) Begun in the late 1960s, Estructuras were derived from paintings that, according to Herrera, were “really crying out to become sculpture.” Herrera’s work evokes a simultaneous sense of instability and order, encompassing symmetry and asymmetry, shadow and light, all of which convey movement and rhythm through a careful geometric balance of lines, forms, and color, teetering between the solidity of a three-dimensional sculpture and the weightlessness of an ethereal shape lifting off the ground.


Images: Carmen Herrera (Cuban-American, 1915-2022)
Featured: Angulo Azul, 2017, Acrylic and Aluminum, Courtesy the Estate of Carmen Herrera and Lisson Gallery.
Right: Untitled Estructura (Yellow), 1962/2015, Acrylic and aluminum, Courtesy the Estate of Carmen Herrera and Lisson Gallery.

_DSC3352

Carmen Herrera: Estructuras

Sponsored by

MITSUI CO. Logo Stacked Black

Underwriters

Lisa Kranc
Dr. & Mrs. Howard S. Kirshner
Louie M. & Betty M. Phillips Foundation

Installation Patrons

Grace & Carl Awh
Mary & Larry Wieck
Jerry & Ernie Williams

test

Glamour & Style: Portrait Photography from the Golden Age of Cinema

This exhibition centers on the work of George Hurrell (1904-1992), whose pioneering approach to photography became synonymous with the glamour portraits of Hollywood movie stars of the 1930s and 1940s. It also features the fashion photography of Louise Dahl-Wolfe (1895-1989) and the documentative yet dramatic imagery of Barbara Morgan (1900-1992) and W. Eugene Smith (1918-1978), whose works likewise emphasize the sophisticated elegance of the period now referred to as the Golden Age of Cinema.

George Hurrell (American, 1904-1992), Gene Tierney, 1945. Gelatin silver print. Gift of Dr. Farel A. Rosenberg. 1983.18.2

Gene Tierney 1945 George Hurrell 640x814 1
test

Inside the World of Charles Addams

“They’re creepy and they’re kooky, mysterious and spooky,” so describes the characters to spring forth from the mind of Charles Addams, a dominant force in twentieth century visual humor. The approximately eighty works of ink, gouache, and watercolor on paper spanning Addams’ career from the late 1930’s through his death in 1988 come from the Tee & Charles Addams foundation. His work is filled with subtle suggestions, double entendre, visual puns, along with commentary on contemporary society, historic events, and artistic triumphs. Best known today for The Addams Family television series, movies and animated features, Addams was a significant contributor to The New Yorker for over five decades as well as one of the great humorists of the 20th century.

Charles Addams (American, 1912-1988) Boiling Oil, 1946. 26 x 22 inches. © Charles Addams, with permission Tee & Charles Addams Foundation.

2022 06 27 Website Banner Charles Addams 1920w 1
test

INTERVENTIONS: Michael Eden

INTERVENTIONS, an arts initiative focused on activating the mansion’s historic period rooms, aims to create a dialogue between the craftsmanship of the contemporary creative minds of today and the classical collections present within the Cheekwood mansion.

In the 1920s, the Cheek family traveled to England with architect Bryant Fleming to acquire architectural elements, furniture and décor for the Cheekwood Mansion, then under construction. Some ninety years later, artist Michael Eden finds inspiration in the Cheek’s collection.

Eden is known internationally for creating artworks that explore the abstract qualities of vessels, utilizing digital manufacturing and materials to redesign familiar historical objects. He earned an MPhil at the Royal College of Art in London, England, allowing him to explore how his interest in digital technology could be developed and combined with the craft skills he had acquired during his previous experience as a potter.

Made with 3D printing technology, the exhibition contains fifteen works, displayed throughout the period rooms in the Cheekwood Mansion on custom-made packing crates, as if they have just been delivered to the estate. The works serve as visual links to the historic objects, recorded activities and built environments of the Cheekwood site.

Michael Eden, Icons I and Icons II, 2018. Additive Layer Manufacturing from a high-quality nylon material with a soft mineral coating. Courtesy of Adrian Sassoon, London. Photography by Sylvian Deleu.


Supported by the Sandra Schatten Foundation

ME205.ME184.eden .sassoon 1 640x640 1
test

Chroma: The Exploration of Color Field Printing

Chroma: The Exploration of Color Field Printing features works by artists known broadly as Color Field Painters, who embraced the boldness of pure, saturated hues and regularly employed basic geometric shapes in their compositions. Many contributed to a revived interest in lithography in the mid-20th century, including Ellsworth Kelly, Frank Stella, and more.

Suzanne Szlemko Bowles (American, d. 2011), Untitled, 1972, Watercolor on paper, Gift of Ms. Grace Borgenicht Brandt, 1984.21.6. ©Estate of the Artist. (hero image)

Maltby Sykes (American, 1911-1992), Fission, 1967, Lithograph on paper, Collection of Cheekwood Estate & Gardens – Found in Collection, T-179.

T 179 1 640x850 1
test

COLORSCAPES

COLORSCAPES is an immersive, site-specific exhibition by the acclaimed Chicago art collective Luftwerk (Petra Bachmaier & Sean Gallero). Exploring the perception of the physical world through color, the exhibition features a series of dynamic, experiential outdoor installations and gallery interventions.

2021 Loghaven Portraits 0001 Shawn Poynter WebReady 640x427 1

The contemporary understanding of color has a rich and complex history—one deeply connected to the development of color theory in the nineteenth century. One of the most important and foundational publications from that period is Werner’s Nomenclature of Colours, written by the Scottish painter Patrick Syme. First published in 1814 and based on the groundbreaking work of German geologist Abraham Gottlob Werner, the book presented a taxonomic guide to the colors of the natural world and was a precursor to the modern Pantone system. Color—and more specifically the color classified in Werner’s Nomenclature of Colours—serves as the conceptual springboard for a vibrant site-specific takeover at the Cheekwood Estate & Gardens by the Luftwerk. In this unique context, COLORSCAPES explores how the historic, yet fundamental scientific knowledge of color, perception, and nature can inform and connect us to the natural world today.

2021 Loghaven Portraits 0004 Shawn Poynter WebReady 640x427 1

COLORSCAPES consists of a series of dynamic outdoor installations and gallery interventions. Set along a prescribed path, the exhibition unfolds across Cheekwood’s Bradford Robertson Color Garden, Arboretum Lawn, and Bracken Foundation Children’s Garden before moving up to the portico of the Historic Mansion & Museum and into its more intimately scaled galleries. Inside, Luftwerk has created a series of immersive color and light installations using botanical colors in combination with color changing light conditions that transform into abstracted, atmospheric experiences. Whether using natural pigments, exploring the phenomenon of light and color, or building on the histories explored in the gardens, the works installed in the galleries are informed by a holistic perception of the natural world and an interconnected ecology. Indoors and outside, this site-specific exhibition offers a multi-layered journey that responds to and connects with the different gardens, architecture, and collections of Cheekwood.

046 LUFTWERK COLORSCAPES Cheekwood MG 0478 1 640x427 1

About Luftwerk

Petra Bachmaier and Sean Gallero met while studying at the School of the Art Institute of Chicago and soon discovered a shared interest in installations that transform and sculpt spaces using light, color, and texture. Luftwerk studio was founded with an interdisciplinary approach to art where they experiment with a spectrum of materials, textures, and techniques. Asked how they came up with the name Luftwerk, they reply: “We wanted to find a name that reflected how people experience our work.” Luft (air) stands for the ephemeral quality of light. Werk (work, artwork) alludes to the materiality of surfaces, structures, and methods, and defines the framework in which light and sound take shape.

Based in Chicago, a city known for its architectural legacy, the duo charted their path using iconic buildings as their canvas. Their first early commission for Frank Lloyd Wright’s Robie House led to interventions at sites including Chicago’s Millennium Park, Frank Lloyd Wright’s Fallingwater, Mies van der Rohe’s Farnsworth House and Barcelona Pavilion. Bachmaier and Gallero have created interventions at Chicago’s Jens Jensen designed Garfield Park Conservatory and Kiley Garden in Tampa, FL. Architecture, for them, is not simply a canvas but a collaborative partner. Working both nationally and internationally they have created permanent public artworks at the Marcel Breuer designed Central Library of Atlanta, SOM designed Manulife headquarters in Calgary, 21c Museum Hotel Kansas City, and locations in Chicago. Exhibitions include the Chicago Rooms at the Chicago Cultural Center, the Mattress Factory, Museum für Gestaltung Zürich, Elmhurst Art Museum, Volume Gallery, and Cheekwood Estate & Gardens.

Petra Bachmaier, originally from Munich, holds an MA from the University of Fine Arts of Hamburg, Germany. She also holds a BFA from The School of the Art Institute of Chicago (SAIC). Sean Gallero, originally from the Bronx, NYC, studied art and humanities at Lehman College, with a focus on applied arts and continued studies at The School of the Art Institute of Chicago.

www.luftwerk.net

2021 Loghaven Portraits 0012 Shawn Poynter WebReady 640x427 1

Outdoor Installations

Bradford Robertson Color Garden

Luftwerk, with Tres Fromme and Peter Grimaldi
Painter’s Palette, 2022
Various plantings and organic material
Dimensions variable
Commissioned by Cheekwood

Arboretum Lawn

Luftwerk
Color Suite in Topography, 2022
Painted metal and printed polyester flags
10 ft. x 2 ft. 7 in. h. (each); 72 x 30 in. (each flag)
Commissioned by Cheekwood

LUFTWERK COLORSCAPES Cheekwood MG 0081 640x427 1

Bracken Foundation Children’s Garden

Luftwerk
Prairie Blooms, 2022
Painted metal and printed hardboard
4 ft. 5 in. h. (each)
Commissioned by Cheekwood

095 LUFTWERK COLORSCAPES Cheekwood MG 0049 640x427 1

Portico Entrance, Historic Mansion & Museum

Luftwerk
Sky Blue, 2022
Paint and plastic
Dimensions variable
Commissioned by Cheekwood

LUFTWERK COLORSCAPES Cheekwood MG 9600 640x960 1

Indoor Installations

Long Hall Gallery

Luftwerk
Looking Hall, 2022
Books, minerals, botanic dye samples
in beakers, and pigment and hide glue on board
Dimensions variable
On loan from the Artists

Patrick Syme,
Werner’s Nomenclature of Colours.
Edinburgh: W. Blackwood, 1814.
Closed: 8 x 5 5/16 x ½ in.
On loan from the University of Chicago Libraries

Robert Ridgway,
A Nomenclature of Colors for Naturalists.
Boston: Little, Brown, 1886.
Closed: 8 ½ x 5 11/16 x 13/16 in.
On loan from the University of Chicago Libraries

LUFTWERK COLORSCAPES Cheekwood MG 0447 640x427 1

Stallworth II Gallery

Luftwerk
Continuum, 2022
Prints, electrical motors, and vinyl
7 in. diameter (each)
On loan from the Artists

047 LUFTWERK COLORSCAPES Cheekwood MG 0221 640x427 1

Stallworth I Gallery

Luftwerk
Light Dips into Dark Falls into Light, 2022
Aluminum, pigment, and LED lighting
Dimensions variable
On loan from the Artists

055 LUFTWERK COLORSCAPES Cheekwood MG 0674 640x427 1

Short Hallway

Luftwerk
Exact Dutch Yellow, 2022
Neon
4 x 40 in.
On loan from the Artists

068 LUFTWERK COLORSCAPES Cheekwood MG 0340 640x960 1

John & Margaret Hill Gallery

Luftwerk
Chromatic Blooms, 2022
Stainless steel ½ circle shapes,
Soraa 10 degree LED light bulbs
Dimensions variable
On loan from the Artist

070 LUFTWERK COLORSCAPES Cheekwood MG 0362 640x427 1

Mary Cheek Hill Gallery

Luftwerk
Meadow, 2022
Canvas, paint, and LED lighting
Dimensions variable
On loan from the Artists

078 LUFTWERK COLORSCAPES Cheekwood MG 0501 640x427 1

Gordon Gallery

Luftwerk
Portrait No. 2 Mauve to Gamboge, 2021
Fiberglass, aluminum, LED lights, paint
51 x 51 x 18 ¾ in.
On loan from the Artists and Volume Gallery, Chicago

LUFTWERK COLORSCAPES Cheekwood MG 0621 640x960 1

Gordon Gallery

Luftwerk
Portrait No. 1 Yellow to Blue, 2020
Fiberglass, aluminum, LED lights, paint
51 x 51 x 18 ¾ in.
On loan from the Artists and Volume Gallery, Chicago

Luftwerk
Interaction of Light, 2020
Set of 2 prints
Star 3 ply Xuan Paper with Canon image PROGRAF ink
41 ½ x 57 1/4 in.
On loan from the Artists and Volume Gallery, Chicago

084 LUFTWERK COLORSCAPES Cheekwood MG 0652 640x427 1
Privacy Policy Sitemap Web design by Speak
Back to top