Exhibitions Archives - Page 7 of 9 - Cheekwood | Page 7
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The Wildly Weird World of Werner Wildner

Werner Wildner’s work consists of surrealist images and fantastical meditations that reflect humankind’s desires, vices, and virtues, as well as the 15th century style of Hieronymus Bosch. The artist, who spent considerable time in Nashville, exhibited his first regional solo show at Cheekwood in 1962. Cheekwood is thrilled to offer a look into the wildly weird, world of Wildner once again in the mansion’s Graphic Arts Gallery with this unique and thought-provoking exhibition.

Werner Wildner (American, 1925-2004), Long-Eared Owl, 1950-1975, Graphite and acrylic on board, Gift of Mr. and Mrs. Alan Berry, 1976.3.92.

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A Valentine’s Day Wedding Legacy

Cheekwood will celebrate the 80th wedding anniversary of Huldah Cheek and Walter Sharp with an installation of Huldah’s wedding gown in the drawing room of the mansion where they married on February 14, 1942. The legacy of Huldah and Walter is that of great love and lasting generosity: In 1957, the couple offered for Cheekwood to become a public garden and fine arts center, making the estate, its extraordinary gardens and buildings, accessible to the public and establishing a new cultural destination in Nashville.

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2022 Middle Tennessee Scholastic Art Awards

For the 31st consecutive year, Cheekwood partnered with the Alliance for Young Artists and Writers to host the Scholastic Art Competition and Exhibition. Creative, imaginative, and talented teens from across middle Tennessee submitted 1,500 works of art in a variety of categories.

2022 SCHOLASTIC AWARD WINNERS

Sophie Lee, Ravenwood High School, Grade 12, Identity Glitch (hero image)

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Orchids in the Mansion

Orchids in the Mansion activates the historic Loggia with a lavish display of orchids that extends throughout the period rooms, offering a glimpse into how the Cheek family likely brought nature indoors and decorated their home. Our 2022 display featured sprays of white moth orchids complemented by tropical plant material, including several large palms to punctuate the space.

Presented by

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Spanning the Atlantic: The Arts and Crafts Movement

The Arts & Crafts movement was an international trend in the decorative arts that first developed in the British Isles during the 19th century before its influence made its way across the Atlantic to America. The movement stood for traditional craftsmanship, often incorporating medieval, romantic, or folk styles of decoration. Leading examples of works by Charles F. A. Voysey, William Morris, and Charles Rennie Mackintosh, to name a few, will be included in this two-part exhibition with the American portion on display in the spring of 2023.

Charles Voysey (1857-1941), Original design for Squirrel & Blackbird in a Tree wallpaper or fabric, 1907, Watercolor, Loan from Crab Tree Farm Collection. © Jamie Stukenberg (hero image)

Charles F. A. Voysey (1857-1941), Design for the Huntsman Wallpaper, 1919, Ink on paper, Loan from Crab Tree Farm Collection. © Jamie Stuckenberg

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LIGHT: Bruce Munro at Cheekwood

The luminous light installations featuring the work of renowned British artist Bruce Munro return to Nashville in the exhibition, LIGHT: Bruce Munro at Cheekwood. Munro first presented his award-winning outdoor art exhibition for only the second time in North America at Cheekwood in 2013. Cheekwood is honored to again host this exhibition for a special 10th anniversary celebration featuring immersive, grand-scale light installations that are displayed throughout Cheekwood’s beautiful vistas, manicured gardens, The Carell Trail, in the Historic Mansion & Museum and Frist Learning Center. 

LIGHT is designed to respond to and enhance the outdoor garden and indoor gallery experiences, encouraging an awareness of our individual and collective journeys through time and space. The interplay between Munro’s three-dimensional creations and the surrounding environment—at dusk and after dark—heightens the sense of time’s passage, reinforced through works with expressed childhood and literary themes. Whether backlit sea glass or pigment on paper, his two-dimensional works likewise comment on life through the “language of light” as seen in the mansion galleries. 

Bruce Munro, (British), Whizz Pops, Cheekwood, 2012, On loan from Bruce Munro Studio. © 2023 Bruce Munro. Photographer Serena Munro.
Featured Image: Bruce Munro, (British), Forest of Light, Cheekwood, 1992, On loan from Bruce Munro Studio. © 2023 Bruce Munro. Photographer Serena Munro.
Image Right: Bruce Munro, (British), Whizz Pops, Cheekwood, 2012, On loan from Bruce Munro Studio. © 2023 Bruce Munro. Photographer Serena Munro.

A Conversation with Bruce Munro


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LIGHT: Bruce Munro at Cheekwood is made possible by

The Ann and Monroe Carell Foundation

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Leadership support is provided by
Barbara and Jack Bovender

Major support is provided by
Katie and Kevin Crumbo
Lisa and David Manning

Hospitality Sponsor
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Cheekwood is funded in part by

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Spanning the Atlantic: The Arts & Crafts Movement in America

Following 2021’s Spanning the Atlantic: The Arts & Crafts Movement in Britain, this exhibition is the second of a two-part series examining the international Arts & Crafts movement. First developed in the British Isles during the 19th century, the Arts & Crafts movement was spurred by anxieties over industrialization which fueled a resurgence of traditional craftsmanship. With harkening nods to medieval, folk, and colonial forms and an emphasis on rectilinearity, an earthy palette, and subdued ornamentation, the Arts & Crafts movement reached its height in America in the early 20th century. Spanning the Atlantic: The Arts & Crafts Movement in America brings together over 100 objects from this period, including exceptional examples of furniture by Gustav Stickley and Harvey Ellis; pottery by Grueby Faience Company; Newcomb Pottery and Rookwood; glass by Tiffany; and silver, metalwork, and textiles by some of the most talented American craftsmen and women of the time.

Featured Image: Gallery view of Spanning the Atlantic: The Arts & Crafts Movement in Britain, Cheekwood Botanical Gardens and Museum of Art, 2022, Collection of Crab Tree Farm.

Image Right: George Kendrick (American, 1850-1919) for Grueby Faience Company (1894-1920) and Tiffany Studios (1885-1930), Lamp, c. 1900, Earthenware, leaded glass, and bronze, Collection of Crab Tree Farm. © Jim Prinz

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Experience Spanning the Atlantic: The Arts and Crafts Movement Below


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