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Five Women Artists

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These #5WomenArtists and several others bring unique mediums, talent, and beauty to our collection. We are proud to display some of their work at Cheekwood and very excited to advocate for the acknowledgement of all women artists, past and present.

Are you interested in supporting women artists alongside Cheekwood and the National Museum of Women in the Arts? We encourage you to keep learning about women in the arts, to start conversations with your friends, and to use the hashtag #5WomenArtists to promote this necessary campaign on social media.

Learn more about the NMWA campaign here: bit.ly/2I0UNmL
Maddison Gabay: As a part of Cheekwood’s community art initiatives, every year an exhibition is hosted that consists of works from local high school artists. The 2018 exhibition features work by artist Maddison Gabay. Maddison is currently a junior at Independence High School and is passionate about the visual arts. She was born in Florida and moved to Tennessee at the age of thirteen. When she was young, she was bullied for many of her traits, but found strength and pride in her identity when she moved to Tennessee. This new start gave her the chance to “emerge from the darkness of depression and low self-esteem and begin a new life filled with hope.” Her work in the 2018 scholastic art competition reminds her that judgment will no longer have the power to change who she really is.Marylyn Dintenfass (1943 – ): Marylyn is an American painter, printmaker, and sculptor. She was born and raised in Brooklyn, and graduated from Queens College with a degree in fine arts. In her early years, she worked with several Abstract Expressionist painters. This exposure helped to form Dintenfass’s Abstract Expressionist/Pop Art style. Although she is experienced in sculpture installations, her greatest popularity lies in oil paintings. Her work utilizes an expressive color palette and lexicon. Thematically, her works explore human experiences and pleasures. During 1966, Dintenfass spent time touring Amsterdam, Paris, and Rome, before landing in Jerusalem where she received her first commission to design the Pop Op Disco. Today, her work has been featured in more than 60 national and international exhibitions, and her work is held by over 30 public collections.Louise Dahl Wolfe (1895 – 1989): Louise was an American photographer born to Norwegian parents. She became one of the world’s leading fashion photographers of the twentieth century when she began working for Harper’s Bazaar for twenty-two years. She took much inspiration from the history of art to revolutionize the photography standards of the day. Her work was lively and natural and she made two large bequests of her work to Cheekwood in the 1960s and 80s.Soo Sunny Park: Soo Sunny is an American South Korean artist. She was born in Seoul, but moved to the United States at age eleven. She holds a BFA in painting and sculpture, and an MFA in sculpture. After completing her studies, she obtained a residency at Skowegan School of Painting and Sculpture in 2000. Her works encompass a variety of mediums to push the boundaries of the imagination in creating sculptures and installation art. Soo Sunny was the 2015 Artist-In-Residence at Cheekwood.Jenny Holzer (1950- ): Jenny is an American sculptural and projection artist. She often works linguistically, projecting words and phrases in public spaces. She was originally interested in being an abstract painter, and studied art at Duke University. This course of study was followed by painting, printmaking, and drawing at the University of Chicago before receiving a BFA at Ohio University in 1972. In 1976, through the Whitney Museums independent study program, she started working with language to create installations. Her work often emanates a stirring message with a sense of humor and courage.Sophie Ryder (1963- ): Sophie is a London born sculptor. She studied art and gained a diploma in painting at the Royal Academy of Arts, London. It was during this time that she first began experimenting with sculpture. Her sculptural works are largescale and supernatural in nature. She often works in a variety of mediums including sawdust, plaster, old machine parts, sheet metal, marble, and other materials. In addition to sculpture, she is also a skilled printmaker. Her most famous works are large hares with female bodies. A popular representation of this series is in Cheekwood’s permanent collection.

 If a friend asked you to name the first five artists that come to mind, who would you mention? Maybe Vincent van Gogh? Pablo Picasso? Michelangelo? All of these men are fantastic, renowned artists who drove the evolution of artistic styles in their era. They’re all good choices. But did you think of any female artists amongst the five? Maybe one?

More and more people are beginning to recognize the achievements of female artists, but there’s still work to be done. According to the National Museum of Women in the Arts, work by women artists makes up only 3 to 5 percent of major permanent collections in the U.S. and Europe.

As a part of Women’s History Month this March, the NMWA has relaunched their #5WomenArtists social media campaign. This is a promotion to encourage museums and art lovers alike to fill social media outlets with the work of female artists.

Cheekwood is thrilled to partner with the NMWA by showcasing five women artists featured in our collection, and one young woman recently featured in our Scholastic Art Awards Exhibit. Read below to learn more about each of these women and their careers:

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2018 Arts Advocacy Day

Want to learn more? Check out these resources:

Americans for the Arts Arts and Economic Prosperity 5 report
Tennessee Arts Commission Arts and Economic Prosperity 5 report
Metro Nashville Arts Commission Resources
National Endowment for the Arts Research
University of Pennsylvania, Social Impact of the Arts Project
National Assembly of State Arts Agencies Why Should Government Support the Arts reportSo, what does all this mean? The arts matter and, we hope you will agree, should have continued public investment.

Arts Advocacy is the practice of recommending public policies and funding that support the arts. We at Cheekwood advocate for the arts and we hope you will too! On Arts Advocacy Day, supporters gather to learn about how to advocate for the arts and meet with elected officials to recommend support for arts funding and policies.

This year, Arts Advocacy Day is March 7 for Tennessee and March 12-13 for the nation.

To learn more, explore national and local agencies designed to help us advocate for arts and culture: Americans for the Arts, Tennesseans for the Arts, and the Nashville Arts Coalition.

If you want to participate in another way, simply getting a Tennessee specialty arts license plate builds support for local arts – not to mention making your car look oh-so-fabulous! Head over to our Foundation and Government Support page for more info on the license plate program.

 

Thank you for supporting arts and culture and thank you for supporting Cheekwood!According to the Arts Action Fund, studies have shown that students who have an “arts rich” education get better grades (especially in reading and math) and are more likely to stay in school. Additionally, research has shown that communities with strong arts and culture resources also report better civic participation, health, and quality of life.

The arts also contribute to the economy and help drive tourism. Arts creation and distribution companies represent 4% of all businesses in the U.S. and 2% of all U.S. employees. The U.S. Bureau of Economic Analysis reports that arts and cultural production contributed $730 billion (4.2% of the GDP) to the nation’s economy in 2014.

In Nashville-Davidson County, the nonprofit arts and culture sector generates over $429 million to the local economy – almost twice that of similar regions by population.

The benefits of arts and culture warrant continued investment to ensure preservation and growth of these important community assets.In the United States, a small portion of federal, state, and many local government budgets are allocated for the arts. These small allocations make a big difference to arts and culture in our communities.

In recent years, Cheekwood has received grants from the National Endowment for the Arts, Tennessee Arts Commission, and the Metro Nashville Arts Commission – imperative support for our enriching education programs and art exhibitions.Have you ever heard of Arts Advocacy? How about Arts Advocacy Day? If you know what we’re talking about – great! If not, let us share with you.

First, let’s begin with some context and a matter-of-fact statement: the arts matter. They make a difference in our personal lives and how we move about in society.

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250k Tree Day

What am I hoping to do by planting a tree?

  • Provide beauty.
  • Increase shade.
  • Create privacy.

What site factors am I dealing with?

  • Fencing
  • Overhead Powerlines
  • Underground utility lines
  • Proximity to house

What is the right tree for my site?

  • Consider the size at maturity.
  • What is the shape and form of the tree?
  • Is the tree deciduous or evergreen?

Is the tree for my yard or for my street?If you intend to plant the tree to enhance the beauty of your street, there may be certain criteria to consider or even a form to submit. Please check with your local government or urban forestry organization. For Nashville, visit http://www.nashville.gov/Public-Works/Community-Beautification/Tree-Information/Planting-in-the-Right-of-Way.aspx.

 

Pictured: Tulip Tree  (Liriodendron tulipifera)
Why plant trees?

  • Cool the earth! Trees can reduce our air conditioning costs.
  • Trees can trap pollutants, dust, and pollen, cleaning the air we breath.
  • Trees provide habitats and food for wildlife.
  • Trees increase productivity and happiness and decrease stress.
  • Trees increase property value.

 

Pictured:  Eastern Redbud On February 24, 2018, we’re partnering with the Tennessee Environmental Council in 250k Tree Day, a nation-wide initiative to plant 250,000 native tree seedlings across Tennessee as part of the largest community tree planting event in Tennessee history, and in the United States.

To participate, sign up to reserve your native tree bundles. You must pre-register for your seedling bundles by midnight on February 18. Click here to register.  Bundles will be prepackaged containing one each of five different tree species. The five species include Tulip Poplar, Redbud, Northern Red Oak, Persimmon and Loblolly Pine.

This year, we are proud to be hosting as a pick-up site for tree seedlings. If you have registered for your trees, visit Cheekwood’s main entrance on Friday, February 23 from 9am – 5pm, or Saturday, February 24 from 9am – 11am to pick up your seedlings. Join us all weekend long as we partner with TEC to plant more trees!

Register, donate, or learn more here:  https://tectn.org/250ktreeday/.

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2018 Exhibition Schedule

2018 Martin Shallenberger Artist-in-Residence
Gabriel Dawe

September 22 – December 30, 2018
Cheekwood is pleased to announce that the 2018 Martin Shallenberger Artist-in-Residence is Gabriel Dawe. This residency program brings national and international artists to Nashville to create and exhibit site-specific works at Cheekwood, while allowing artists the opportunity to interact with visitors and the arts community throughout the creative process. Using carefully dyed and arranged, down to the millimeter measurements, Dawe creates a three-dimensional, tangible prism of light and color that showers each space he interacts with. Dawe will be onsite working throughout the month of September, creating a site-specific installation that will remain on view through the end of the year.Cracking Art
June 16 – September 2, 2018
Cracking Art is a Milan, Italy-based artist collective born out of the intention to radically change the history of art by investigating the relationship between natural and artificial reality. By using 100% recycled plastic materials, Cracking Art creates site-specific installations using large-scale, natural animal forms made of synthetic materials, playfully arranging meerkats, bears, crocodiles, birds, and other animals in surprising invasions of familiar landscapes. The artists of Cracking Art will collaborate with Cheekwood to share a truly unique and extraordinary visual experience this summer. Cracking Art is presented by Gullett Sanford Robinson & Martin PLLC.Amanda Parer: Intrude


May 1 – May 27, 2018
Australian artist Amanda Parer uses her larger-than-life inflatable bunnies to draw attention to the natural world, its fragility and our role within it. In May, Parer’s glowing, white rabbits will take over the Cheekwood landscape. Though intentionally cute and seemingly innocent, these figures also represent the global conversation surrounding invasive species and their ability to alter natural habitats. The 18th-century introduction of European rabbits to Parer’s native Australia resulted in a rapidly escalating continent-wide epidemic that persists today. Through these precocious bunnies, visitors experience captivating works of art as well as engage in an ecological dialogue. Cheekwood will be open Thursday and Friday evenings while Parer’s work is on view.1958-2018: Sixty Years of Collecting at Cheekwood

March 17 – May 20, 2018
Selections from Cheekwood’s permanent collection include niche collections of fine and decorative art spanning centuries and continents. This exhibition will highlight key acquisitions over the span of sixty years.The Middle Tennessee Scholastic Art Awards

February 3 – March 4, 2018
2018 marks Cheekwood’s 27th year as regional affiliate for The Middle Tennessee Scholastic Art Awards, an art competition and exhibition that aims to support students’ artistic discoveries and encourage them to seek opportunities to showcase their art. An Alliance for Young Artists and Writers Program, The Scholastic Art Awards competition is one of the oldest and most prestigious student art competitions in the country, and aims to support students’ artistic discoveries and encourage them to seek opportunities to showcase their art. The 2018 Scholastic Art Awards exhibition is presented by The Tennessee Credit Union.Featuring two large-scale outdoor presentations, our exhibition lineup complements the garden’s seasonal programming and is designed to appeal to guests of all ages.

In May, we will present a selection of Australian artist Amanda Parer’s Intrude inflatables: glowing, larger-than-life white rabbits that will take over the Cheekwood landscape. This summer, we’ll collaborate with Cracking Art, a Milan, Italy-based artist collective,  to present site-specific installations in our galleries and gardens, playfully arranging meerkats, bears, crocodiles, birds and other animals in whimsical and surprising places.

These large-scale exhibitions are complemented by the 2018 Middle Tennessee Scholastic Art Awards exhibition; 1958-2018: Sixty Years of Collecting at Cheekwood; and our annual Martin Shallenberger Artist-in-Residence program featuring Mexico City-based artist Gabriel Dawe.

Our 2018 exhibition schedule includes:

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27th Annual 2018 Middle Tennessee Scholastic Art Competition Winners

The Scholastic Art Awards 2018 is presented by The Tennessee Credit Union. 

Congratulations to the following award winners of the 27th Annual 2018 Middle Tennessee Scholastic Art Competition! Students on this list will receive formal notification and more details of their award(s) via e-mail the week of January 16. For more information about the Scholastic Art Awards, visit artandwriting.org.

 

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January Featured Plants

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Wills Perennial Garden
Marsh Spurge
Euphorbia palustris
Beautifully sculptural and semi-evergreen herbaceous perennial that grows up to 48″ tall and wide. The milky sap is toxic to the skin and also creates rabbit and deer resistance. Native to Europe and Western Asia, and cold hardy in zones 5 to 8. Does not like to be transplanted, but prefers to find its own place in the garden by seeding out.

Carell Woodland Sculpture Trail
Frostweed
Verbesina virginica
Common wing-stemmed wildflower with a unique winter characteristic. During freezing temperatures, water in the stem freezes and expands, rupturing the stems. The expanding ice forms long thin ribbons that take unique and interesting form. During the warm season, frostweed is an essential source of nectar for many species of insects.

Photos by Andrew Bruckse Photography
Shomu-en, Japanese Garden
Zoysia Grass
Zoysia japonica
A dense, creeping warm-season grass that turns a calming straw color when dormant. Native to the coastal regions of Asia, Australia and various island throughout the pacific. Also referred to as Japanese carpet grass. Very tolerant of heat and high traffic.

Burr Terrace Garden
Bloodtwig Dogwood
Cornus sanguinea ‘Midwinter Fire’
Multi-stemmed and spreading shrub with intense winter color is spectacular when featured with an evergreen backdrop, as it is planted in front of the Cryptomeria in the Burr Garden. Smooth yellow stems topped with red twigs grow to 5-6′ in height. Prefers full sun to part shade.

Robinson Family Water Garden
European Filbert
Corylus avellana ‘Contorta’
Also called Harry Lauder’s Walking Stick, this deciduous shrub is a point of striking winter interest with its contorted, spiraling branches and long, dangling catkins.Carell Dogwood Garden
Fragrant Wintersweet
Chimonanthus praecox
Medium to large, vase-shaped shrub featuring fragrant, clear yellow flowers 1” in diameter from December through January. Grows in Zones 7-9 and prefers full sun to part shade.

Herb Study Garden
Atlas Cedar
Cedrus atlantica ‘Glauca Pendula’
Columnar, weeping form of this garden favorite. Pendulous branches are clad in clusters of bluish green needles and bear upright barrel-shaped cones.  Grows to 3-12’ tall and wide. Prefers full sun.It may be January, but there is much to see in the gardens this time of year! Read all about this month’s featured plants, and be sure to keep an eye out for the labels throughout the gardens to see if you can find them.

Howe Garden
Sweetbay Magnolia
Magnolia virginiana var. australis “Green Shadow”
Graceful evergreen to semi-evergreen tree that tolerates wet feet and clay soil. Features cup-shaped, sweetly fragrant white flowers in mid-spring. Grows to 35 feet tall.

Martin Boxwood Gardens
American Boxwood
Buxus sempervirens
Evergreen shrub used as a hedge or landscape specimen, growing to 15 feet tall and wide. Prefers evenly moist, well-drained loams and full sun to part shade. A true workhorse in the winter landscape.

Bradford Robertson Color Garden (Arches)
Fountain Grass
Pennisetum alopecuroides ‘National Arboretum’
Ornamental grass with graceful form that adds winter interest in its structure, movement and sound. Features attractive bottle-brush style blooms that persist as seed heads.

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Cheekwood Names Gina Wouters New VP of Museum Affairs/Chief Curator

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In her new role here at Cheekwood, Gina will serve on our six-person senior leadership team and will be responsible for ensuring excellence in the museum and education fields. She will oversee all curatorial programs, including the care and enhancement of the Cheekwood Permanent Collection and the historically furnished rooms and galleries in the Cheekwood Mansion.

She will develop, monitor and supervise the curatorial team’s implementation of strategic art and history initiatives, and will work to research, identify and secure exhibitions while serving as the spokesperson on behalf of all the collections.

Additionally, she will oversee the education department to develop content-rich tour information, programs and lectures, and will actively seek partnerships with peer institutions, artists, galleries, auction houses, conferences and activities.

Gina is an individual member of the Association of Art Museum Curators, College Art Association and the American Alliance of Museums.

Gina’s first day in her new role was January 2, 2018. She can be reached at gwouters@cheekwood.local.We are thrilled to welcome Gina Wouters as our new Vice President of Museum Affairs and Chief Curator. Gina comes to Cheekwood from Vizcaya Museum and Gardens in Miami, Fla., where she has held several roles since 2007— most recently, curator, directing the institution’s Contemporary Arts Program (CAP) for the last five years.

Gina has a Bachelor’s Degree of Fine Arts in Photography from Barry University, a Master’s of Arts Degree in Seventeenth-Century Art History from the Universiteit van Amsterdam in her native country, the Netherlands. She is currently working on her Doctorate Degree in Museum Studies from the University of Leicester, where her studies focus on situating the global phenomenon of historic sites engaging contemporary art within a broader context of museological practice. By merging practice and theory, Wouters has become a key scholar and curator in this emerging phenomenon.

She has served as editor of many published works and written numerous curatorial essays, having recently published Lost Spaces and Stories of Vizcaya: 10 years of CAP and 100 years of Contemporary Art in May 2017 to accompany the Lost Spaces and Stories of Vizcaya centennial exhibition. She also served as editor and contributing author to Robert Winthrop Chanler: Discovering the Fantastic published with The Monacelli Press in May 2016, which was shortlisted for the 2017 Alice Award. She has been recognized with multiple awards regarding her dedication and excellence within the professional field of the arts.

 

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