INTERVENTIONS: Karen LaMonte

Pictured: Karen LaMonte (b.1967), Kabuki, 2013, Cast glass. Photo by Sam Angel.

Pictured: Karen LaMonte (b.1967), Reclining Nocturne 3, 2015, White bronze. Photo by Sam Angel.




British artist Ann Carrington is well-known for working with discarded and found objects to create ornate sculptures and works of art. Her eccentric and elegant pieces breathe new life into otherwise mundane items such as knives, spoons, buttons, cans, and coins by unraveling their associations and assigning new meaning as sculpture. Inspired by the gardens at Cheekwood and the Cheek family, Carrington’s installation will include 33 works throughout the period rooms. Her work has recently been exhibited at the Musée des Impressionnismes Giverny as part of the Flowers Forever exhibition, as well as at Kunsthalle Munich, one of Germany’s most prestigious exhibition houses.
Now in its third year, INTERVENTIONS is an arts initiative to activate the historic period rooms. The series invites renowned artists from around the globe to imagine and implement a connection between their contemporary work and the Cheekwood Mansion.
Featured Image: Ann Carrington (b. 1962), Cora, 2023, Silver, nickel, and steel plated spoons. Photography provided by Ann Carrington Studio.

Ann Carrington (b. 1962), Shomu-en, 2023, Silver, nickel, and steel plated cutlery. Photography provided by Ann Carrington Studio.

Ann Carrington (b. 1962), Ipheion, 2023, Silver, nickel, and steel plated cutlery. Photography provided by Ann Carrington Studio.

Ann Carrington (b. 1962), Fish Wish, 2023, Tins and wire. Photography provided by Ann Carrington Studio.

Ann Carrington (b. 1962), Spiderfolk, 2023, Steel, brass and bronze. Photography provided by Ann Carrington Studio.
The Sandra Schatten Foundation
In the fall of 2021, Cheekwood launched its latest innovative arts initiative focused on activating the mansion’s period rooms. Intended to enliven a historic environment, this program aims to create a complementary dialogue between the craftsmanship of the creative contemporary minds of today and the classical collections present within the Cheekwood mansion. The inaugural artist, Beth Katleman, installed her whimsical and satirical work offering a creative temporary shift in perspective on the museum’s permanent collection. Katleman derives her inspiration from eighteenth century Chippendale designs and traditional toile patterns to fabricate intricate installations made of porcelain.
Beth Katleman (American, born 1959). Fortuna Table, 2021. Porcelain, wood, wire.

INTERVENTIONS, an arts initiative focused on activating the mansion’s historic period rooms, aims to create a dialogue between the craftsmanship of the contemporary creative minds of today and the classical collections present within the Cheekwood mansion.
In the 1920s, the Cheek family traveled to England with architect Bryant Fleming to acquire architectural elements, furniture and décor for the Cheekwood Mansion, then under construction. Some ninety years later, artist Michael Eden finds inspiration in the Cheek’s collection.
Eden is known internationally for creating artworks that explore the abstract qualities of vessels, utilizing digital manufacturing and materials to redesign familiar historical objects. He earned an MPhil at the Royal College of Art in London, England, allowing him to explore how his interest in digital technology could be developed and combined with the craft skills he had acquired during his previous experience as a potter.
Made with 3D printing technology, the exhibition contains fifteen works, displayed throughout the period rooms in the Cheekwood Mansion on custom-made packing crates, as if they have just been delivered to the estate. The works serve as visual links to the historic objects, recorded activities and built environments of the Cheekwood site.
Michael Eden, Icons I and Icons II, 2018. Additive Layer Manufacturing from a high-quality nylon material with a soft mineral coating. Courtesy of Adrian Sassoon, London. Photography by Sylvian Deleu.
Supported by the Sandra Schatten Foundation
